Marshall is a producer and engineer who works with artists on a wide array of projects across media and genre. His practice centers on holistic and exploratory production, where discovery drives collaboration.
Marshall works with clients to realize unique sonic branding for their projects.
Past clients include David Yurman, Paul Schrader, Studio Janis, Opus One Foundation, and Suuvi.
Marshall has been teaching music, production, and engineering for over 20 years. His offerings include private and group classes for youth, university, and adult learners in topics including:
•Ableton Live (beginner through advanced),
•sound design and synthesis,
•music recording,
•and songwriting. He specializes in advanced sound synthesis and extended •DAW techniques.
He also offers consultations on production design, sound design, acoustics, composition, and most other sound-related topics you can imagine.
Want to work with Marshall? Get in touch at marshallmoran [at] gmail.com
MURMOONS
As Murmoons, Marshall Moran’s work lives somewhere between performance, installation, and environment.
Trained in classical saxophone and audio sampling, his pieces deconstruct psychedelic rock, american experimentalism, hip hop, and club music—then recombine the components into immersive sonic spaces.
Over his decades-long career, Moran has performed at a diverse array of venues, including The Parrish Museum, House of Yes, Spectrum Gallery, Cameo Gallery and Free Candy.
Moran’s recent work as Murmoons considers modular synthesizers as living systems—generative, reactive, and in dialogue with the performer. These set-ups allow the machines to act as collaborators rather than simple tools, dissolving the boundaries between composer, performer, and instrument
As Murmoons, Marshall Moran’s work lives somewhere between performance, installation, and environment.
Trained in classical saxophone and audio sampling, his pieces deconstruct psychedelic rock, american experimentalism, hip hop, and club music—then recombine the components into immersive sonic spaces.
Over his decades-long career, Moran has performed at a diverse array of venues, including The Parrish Museum, House of Yes, Spectrum Gallery, Cameo Gallery and Free Candy.
Moran’s recent work as Murmoons considers modular synthesizers as living systems—generative, reactive, and in dialogue with the performer. These set-ups allow the machines to act as collaborators rather than simple tools, dissolving the boundaries between composer, performer, and instrument
at marshallmoran@ gmail.com